Nah Twilight sucks a pretty sizable amount of ass, hahaha.
I specifically designed the ending such that all evidence in one direction could be restructured to be evidence in the other direction(ie, how can he twist his angle if he's dead? Well, what if he didn't really and it hurts because it WAS tied to the rope and he is in fact still back there hanging by it?) so that there is no right answer and people can either take it as 'they're dead and don't know it' or 'they're fine and are just understandably freaked out/paranoid/overthinking things', to their preference. :3 Both to give people that choice and to illustrate the idea that if you, the reader, can't tell, and they themselves can't tell, then maybe it's not super important - that maybe the important bit was that they got away from the house, they're free of it, and they've got each other.
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I specifically designed the ending such that all evidence in one direction could be restructured to be evidence in the other direction(ie, how can he twist his angle if he's dead? Well, what if he didn't really and it hurts because it WAS tied to the rope and he is in fact still back there hanging by it?) so that there is no right answer and people can either take it as 'they're dead and don't know it' or 'they're fine and are just understandably freaked out/paranoid/overthinking things', to their preference. :3 Both to give people that choice and to illustrate the idea that if you, the reader, can't tell, and they themselves can't tell, then maybe it's not super important - that maybe the important bit was that they got away from the house, they're free of it, and they've got each other.